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The Harlow Family….

History / Sun 14th Jul 2013 at 01:10pm

EVERY WEEK, we film a little piece of Harlow’s history, whether it be from the 2000 years ago to 24 hours ago.

For our first piece, we looked at the Harlow Family Group.

“In 1953, with the endorsement of the Harlow Development Corporation, Sir Frederick Gibberd established the Harlow Art Trust. The trust was to carry out his vision of using art to embellish the town’s design by acquiring and commissioning contemporary sculpture for Harlow’s neighbourhoods and shopping precincts. Its first 20 years of activity was prolific, and by the 1970s the trust had amassed a collection comprising sculptures by many of the country’s leading artists, including Barbara Hepworth, Elizabeth Frink, F.E. McWilliam, and Lynn Chadwick. However it was the sculpture of Henry Moore, and in particular the Trust’s first commissioned piece, Harlow Family Group, for which Harlow would become best known.

Moore was approached in 1954 and was an obvious choice as he was one of the country’s leading contemporary artists, living only eight miles from Harlow in Much Hadham. He had shown an interest in the development of the town, and was a close friend of the Chairman of the trust Sir Philip Hendy, who was also Director of the National Gallery, London. Moore chose to depict a family group, which seemed particularly appropriate at the time as Harlow had a large population of young families.

The Harlow Family Group was unveiled by Sir Kenneth Clark in May 1956, almost immediately becoming the town’s unofficial emblem. Most locals felt that the sculpture related to Harlow’s adopted name of ‘Pram Town’. Prior to the unveiling, a rumour had spread amongst residents that the sculpture depicted obscene imagery. This encouraged the local ‘purity squad’ to turn up to protest at the unveiling. Needless to say they came away disappointed. The sculpture was originally sited outside St Mary of Latton Church in Mark Hall. It has since been moved on several occasions for conservation reasons and is currently on display inside the new Civic Centre.

Entry with thanks to the Henry Moore website.

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